Dragonfly DAC Red

DRAGONFLY BLACK & RED
• Play all music fi les: MP3 to high-res
• Compatible with Apple and Windows PCs, as well as iOS and Android devices
(requires Apple Camera Adapter or Made for Android/OTG adaptor)
• Asynchronous Class 1 USB data transfer using the Streamlength™ protocol
• Fixed output feeds preamp or AV receiver

DRAGONFLY RED
• High output (2.1 volts) drives almost all headphones, including power-hungry models
• 32-bit ESS 9016 DAC with minimum-phase fi lter
• Bit-perfect digital volume control

We’ve been busy for years making this new generation of
DragonFlys possible. AudioQuest worked alongside Microchip
Technology to develop a new high-performance, full-speed
USB microcontroller (a DAC’s input processor) that delivers
improved signal-to-noise ratio and significantly lower power
consumption. Drawing 77% less current than the DragonFly
v1.2’s microcontroller, the new Microchip MX microcontroller
enables true compatibility with Apple and Android smartphones
and tablets. For use with Apple iOS devices, Apple’s
Lightning-to-USB Camera Adaptor is required; for use with
Android devices, a Made for Android (OTG) adaptor, such as
our DragonTail USB Adaptor For Android Devices, is required.
We hesitate to brag about specific electronic parts in the
DragonFlys because the implementation of those parts is
as crucial as their quality. Please don’t make the mistake of
thinking that DACs with the same microcontroller or primary
processor all sound alike! Depending on the circuit design,
control of noise, power supply regulation, quality of the many
passive parts, etc., a supposedly “lesser” DAC chip can easily
outperform a “better” DAC chip in a different DAC.
Also, as with cameras and their previous race to have more
pixels than the other guy, playing the numbers game can
distract and deceive. While the DAC chips in both the Black
and Red DragonFlys have great capability, we have chosen
to limit DragonFly Red and Black processing to 24-bit/96kHz.
This makes using the DragonFlys as simple as it’s always been,
fully compatible with PCs, etc., without having to download
and install new drivers. Though maybe more importantly,
faster processing can mean more noise, so while playing
24/192 files with some of the best component DACs does offer
sonic advantages, many DACs actually sound better when
the computer down-samples a 24/192 file to 24/96 before
sending the data to the DAC. Our point is that AudioQuest
plays a music-quality game first and foremost. DragonFlys
are designed to be the-best-they-can-be Emotional Transportation
for your music, whether Spotify, YouTube videos, Tidal,
ripped CDs, or state-of-the-art Hi-Res files.
Back to bragging about our internals: The new DragonFly
models also incorporate improved 32-bit ESS Sabre DAC
chips—the 9010 in Black and the higher-performance 9016
in Red—both of which employ minimum-phase filtering for
naturally detailed, more authentic sound. While DragonFly
Black uses the same high-quality headphone amp and analog
volume control found in the DragonFly 1.2, DragonFly Red
includes the latest ESS headphone amp and a bit-perfect
digital volume control that resides on the 9016 DAC chip

itself—a sophisticated implementation that ensures maximum
fidelity, dynamic contrast, and signal-to-noise ratio.

With its higher 2.1-volt
output, DragonFly Red is compatible with an even wider
range of headphones, including power-hungry, low-efficiency
models. For reference, DragonFly 1.0 and 1.2 featured
1.8-volt output.
The difference in maximum output between DF Black and DF
Red is essentially irrelevant with our NightHawk headphones,
as they can be easily driven by either model, but Red’s
higher output is an important advantage with some of the
more inefficient headphones on the market. However, the
difference in sound quality between the two new models
is always meaningful, and is important whether feeding
headphones or the Aux input of an audio system. At the same
volume, Red has much more “torque,” “grip,” and “muscle”
than Black. Red simply sounds cleaner and clearer overall,
enabling a larger soundstage with each instrument or voice
more nearly in its own space.